Well, 2018 zipped by like a flash of lightening, and though it's been quiet here on the old blog, I do continue to make. So, while 2018 still has a few days left in it, I thought it'd be nice to do one last blog post for the year. (Hey, that brings me up to a full 5 posts for 2018... no slacking here.)
Take a look below to see what I've been stitching since I last posted back in June...
(Note: If you are a supporter of our current administration, you may not like the creative thoughts behind the works below, and that is ok, as we are all free to believe what we choose to believe. If you choose to leave a comment that obviously differs from my own political views, please make it thoughtful, respectful and constructive. Help me to understand your point of view. Hateful and nonconstructive comments will be deleted. Thank you.)
This Land is Your Land, This Land is My Land
36" x 36",
Cotton fabrics, (Moda Grunge)
Machine pieced and machine quilted
I made this quilt while reflecting on the many ways we divide ourselves in this country, while at the same time craving connection more then ever. The work itself explores division and reunion. Using a multitude of colors helps to illustrate and celebrate the importance of diversity in America.
(Thanks to Woody Guthrie for the title inspiration.)
Divided
31.5" x 21.25"Cotton fabrics
Hand cut, (no straight edge used)
Machine pieced and hand quilted
This quilt was made while reflecting again on how divided we are as a country and how quickly our world wide credibility is fading under the current administration. The man in the White House seems hell bent on trying to deconstruct the American values that we have held so dear while trying to refashion them into a wholly different America, and it is very alarming to me the speed at which he seems to be accomplishing this and the lack of response from republican senators and congressmen/women.
Windmill
26" x 26"
Cotton fabrics, (shot cottons)
Hand cut, (no straight edge used)
Machine pieced and machine quilted
This quilt was made while reflecting on several things: line work, local surroundings, and of course, politics. In regard to line work, that's the term I am calling my ever developing and deeper desire to explore organic line shapes and how they interact with each other and how color influences that interaction. (The piece before this one is the beginning of my intent for a more mindful exploration, and going forward in the new year you will be seeing more of that exploration.) (Until I tire of it and move on to something else.)
This curiosity of line is of course deeply connected to the study of lines in my local rural surroundings... those old barns and outbuildings still fascinate me. (Below I've posted a photo I took just the other day that has wonderful lines and is a good example of the loveliness I see on a regular basis.)
And still, my mind can not help itself from continually thinking about our current state of affairs, (fueled no doubt by news often playing in the background while I sew). I seriously considered calling this piece "Tilting at Windmills" in a playful reference to the delusional Don Quixote and our own delusional Don occupying the White House. However, It was Thanksgiving when I finished it and in a desire for rest, I refrained and simply titled it "Windmill". (I'm saving that other title though for a possible future quilt.)
See? Good lines!
And here's a peak at something currently in the works, which I will share more of once it's finished, (which may be awhile). It's not big, but the stitching is going slow. Except for the smallest circle in each fan, I am basically eyeballing it, with the intention of not perfect quilted lines, but nevertheless, unity and relative consistency throughout. Much harder then I thought it would be. .
For all of what is shown, I was going back and forth... stitch a row, then flip the quilt and stitch the next row, thus saving on cutting, knotting and burying thread every row. However, (and here's a tip if you try this yourself!) I have finally realized that it's easier for me to stitch a row where the previous row is below the row being stitched and much harder for me when flipping the quilt and stitching a row where the previous row is above the row being stitched. Having that previous row below helps me eyeball the new row much easier. So, more cutting, knotting and burying, but less pulling stitches out and starting over. (And if you are reading this but are not a quilter, my apologies for something that must sound very confusing!)
Happy New Year to Everyone!
See you in 2019!
